Opus Klassiek, February 2017
[…] Hanna Bachmann combines intense musicality with individuality and a perfect technical mastery. The result is a fabulously good recital without decline or doubt. What she performs borders on the incredible and with Schumann, the absurd, without neither reservations nor hesitation. As if Martha Argerich could watch over her shoulder during the Schumann sonata. Even after listening many times, it keeps making the same deep impression as the first time. Yet another pianist of a young generation that will undoubtedly be heard of in the future.