Concert review by Silvia Thurner in the online edition of the Zeitschrift für Kultur und Gesellschaft, February 5th 2023. Mezzo-soprano Isabel Pfefferkorn and pianist Hanna Bachmann have, in recent years, devoted themselves to a very…
Article by Fritz Jurmann in the Vorarlberger Nachrichten, November 29th 2022. Luxembourg. A success for two ambitious musicians from Vorarlberg: just a few days ago, the young pianist Hanna Bachmann, originally from Röthis, gave the…
Concert review in the Liechtensteiner Volksblatt, September 26th 2022 […] The brutal force of the Gregorian chant Dies Irae (“Day of Wrath”), which Liszt wove into his Totentanz (a concertante cycle of variations for solo…
Concert review by Jan Kammann, Liechtensteiner Vaterland, September 25th 2022. Bachmann Shines in Explosive Totentanz […] Born in 1993, Hanna Bachmann may well be regarded as one of the region’s greatest piano talents, and after…
Article by Silvia Thurner in the Kulturzeitschrift, December 8th 2021. The pianist Hanna Bachmann created a virtual musical Advent calendar that delightes numerous music enthusiasts with daily surprises. Behind each calendar “door,” she places poetically…
Article by Fritz Jurmann in theVorarlberger Nachrichten, November 25th 2021. The pianist Hanna Bachmann is reviving her acclaimed “Musical Advent Calendar.” Among those who continue to create and rely on digital offerings to stay connected…
Concert review by Hartwig Wolf, Liechtensteiner Vaterland, November 16th 2021. Pianist Hanna Bachmann performed at the Sunday Soirée of the Rheinberger Society with a compelling overall dramaturgy. Guests from neighboring countries also traveled to Vaduz…
Review on Klassik heute, July 24th 2021. For its musical calling card, the Schwarzenberg Trio – named after its first meeting at Vienna’s Schwarzenbergplatz and consisting of Vienna-based artists from Austria and Germany – chose…
Review by Jed Distler on Classics Today Although the pandemic upended the Schwarzenberg Trio’s plans to tour with this provocatively contrasted program, they did manage to record it. In the Beethoven Op. 1 No. 1…